100 albums you should remove from your collection immediately

**Nzoner** · 12-03-2004, 09:27 PM

According to this article and list anyway.

In the main, we have not selected easy targets for removal -- we know that you know that the Milli Vanilli album you've got stashed away in a shoebox isn't exactly kosher. Nope, we chose critical darlings and must-have releases from the past and present. Some will bristle at our audacity for questioning the worth of any Beatles release or blithely pissing on Jane's Addiction's "masterpiece." Some will maintain that we're not qualified or that we'll never make an album as great as Dark Side of the Moon and accordingly should shut our traps. The approval an artist seeks by releasing an album is not guaranteed, even if music moguls, "tastemakers," and critics agree that it is merited. As music listeners, we've taken on the very modest project of flipping through our collections, listening to them, and separating the good stuff from the bad. If the creators of the "greats," the "classics," and the "hits" want to ensure that their efforts get the praise they deserve forevermore, they should take care that they are only accessible to sympathetic critics and fans.

12-03-2004, 09:27 PM	Topic Starter
Nzoner a haw haw haw Join Date: Jan 2004 Location: MIZZOU Casino cash: $26365802	100 albums you should remove from your collection immediately According to this article and list anyway. In the main, we have not selected easy targets for removal -- we know that you know that the Milli Vanilli album you've got stashed away in a shoebox isn't exactly kosher. Nope, we chose critical darlings and must-have releases from the past and present. Some will bristle at our audacity for questioning the worth of any Beatles release or blithely pissing on Jane's Addiction's "masterpiece." Some will maintain that we're not qualified or that we'll never make an album as great as Dark Side of the Moon and accordingly should shut our traps. The approval an artist seeks by releasing an album is not guaranteed, even if music moguls, "tastemakers," and critics agree that it is merited. As music listeners, we've taken on the very modest project of flipping through our collections, listening to them, and separating the good stuff from the bad. If the creators of the "greats," the "classics," and the "hits" want to ensure that their efforts get the praise they deserve forevermore, they should take care that they are only accessible to sympathetic critics and fans.
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