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11-29-2012, 03:49 PM | #1 | |
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It's all over 80's music and helped to make the 80's sound as they do. |
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11-29-2012, 03:53 PM | #2 | |
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11-29-2012, 03:56 PM | #3 |
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The Rockman, like any other musical invention, inspires. The sound inspired a generation of producers, artists and musicians to something that had never existed before.
Just like drum machines, digital keyboards, the Synclavier, Sony DASH machines and the first 48 channel SSL consoles, the Rockman opened up a new gateway to creativity in the 1980's. |
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11-29-2012, 04:12 PM | #4 | |
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Like, to me, Hysteria wouldn't sound as dated if they had broken out the Marshalls and cranked it up. Of course, that's not Mutt Lange's style - the only band he did that with was AC/DC (no accident that those are the Best records of his career). That's why I don't like Foreigner - I LOVE Mick Jones and Ian McDonald; can't stand the records, the sterility of them. rock and roll is an inherently imperfect art form - it should never BE perfect; that 'perfection' washes away the very mojo that makes it beautiful, ya know?? It's like, we got away from that BS in the 90's and now it's cycled back, only now everything is through cakewalk/protools plugins and bands 'run tracks' live. So you KNOW what I'm talking about, and WHY I don't like that music. I'm not being a dick; it's a tanglible thing. All those songs are ran through the same box, and plugged right into the board. That's why they literally all sound the same, exactly. Amplifiers hum, that's how rock and roll sounds when you turn it up, ya know?? and the same amp with the same guitar on the same settings in the same room will sound different from day-to-day, just because the air is different, and then any recording you make will be different...it results in a different snapshot of that day.
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11-29-2012, 04:30 PM | #5 | |||||||
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And Hysteria is one of the most respected albums ever made to this day. Its sound is extremely unique. The production values are amazing. While that sound isn't for every artist and every band, it works for those songs and that band. That's all that matters. Quote:
Listen to most 70's rock records and you're hearing damped drums, DI'd bass and guitar amps covered with Gobo's and in some cases, blankets. Quote:
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There's a difference between a "raw" performance and imperfection. Imperfection occurs when the players aren't top notch or world class. I can guarantee you that you're not walking into a session, whether it be a 70's police show or The Family Guy if you're not a world class musician that's incapable of making mistakes. Capturing the rawness of a band is completely different, although that was as rare in 50's, 60's, 70's and 80's as it is today. Quote:
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Much like what Terry Manning achieved with Eliminator, it's a very unique sound and unique record. Quote:
If you want different sounds every day, have 20 or more guitars, basses, amps and drums on hand. Last edited by DaneMcCloud; 11-29-2012 at 04:46 PM.. |
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11-29-2012, 04:51 PM | #6 | |||||||
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Aerosmith's Done With Mirrors is an example of a great album 'Ruined By Rockman' Quote:
Not dogging it - I just prefer the sound and the playing of the first three albums over Hysteria or anything after. I know Phil Collen is a great guitarist, but without a whole bunch of Steve Clark, the thing falls flat to me. Maybe it's no coincidence that I think the best song on Hysteria is 'Armageddon It.' maybe, indeed... Quote:
Take Fleetwood Mac for instance - I love Rumours, Tusk, Mirage, etc. And those records are overdub city. We're making a record right now, and I have 3 or 4 bass signals at a time and one of them is a direct through a preamp in case we wind up using a plug-in during the mixing stage...I'm just trying NOT to. Quote:
A better one would be 'Dirty White Boy' by Foreigner - LOVE the song. Could have a ballsier guitar. The sheen washes away the ballsiness. I guess that's why I always dig the Stones; even on their poppiest dance numbers, ballads, whatever - guitar is loud and clear, front and center. Quote:
But it seems that no one is interested in capturing the 'rawness' of a band anymore. It's disheartening. Quote:
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The producer knows and can hear...that's a big reasons why even rock producers went to Rockmans and triggered drums...and why they do plug-ins and triggered drums now. Control, absolute control. We got that covered, too.
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MY ADOPT-A-CHIEF : Jody Fortson Jr. Last edited by rabblerouser; 11-29-2012 at 05:03 PM.. |
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11-29-2012, 05:05 PM | #7 | |||
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Get a great bass tone from the amp, cabinet, microphone, instrument, strings, pick/fingers and record. Make a decision and go with it. Having options doesn't make the music any better and it generally tends to **** things up come mixing time. Quote:
The Rockman was a new creative tool and it sounded unlike any other guitar amp or guitar recording chain. Same with drum machines. There was an isolation that had never existed before and new sound. Quote:
Drum samples came into play for various reasons. A guy like CLA uses them because it defines his sound. Bob Clearmountain used them and shared his library with others because it defined his sound. Producers don't generally use drum samples unless they ****ed something up while tracking and that usually isn't the case. Mixers like to supplement recorded drums with samples to fit their vision, although it's not unlikely that the drums are replaced in their entirety. I just don't agree, whatsoever. If you're using high end gear like Neve, SSL, API, Drawmer, Empirical Labs, Vintech, etc. and so on and the gear is properly maintained in a clean, temperature controlled room, there is absolutely no reason why anything should sound different from day to day. |
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