Getting some middling reviews and warnings of "It's a Nolan Film". After Dunkirk, I cant give him the benefit of the doubt (Interstellar and Memento are GOAT tier movies).

Inception and the Batman trilogy too.

I really enjoyed Dunkirk. I can see how a lot of people may not have, though.

I wish someone would make a quality WW2 aerial combat movie. Nolan killed it with those scenes. It felt like I was in the damn airplane watching the movie in the theater.

If it’s as confusing as it seems it could be then it might be a movie that gets better with additional viewings.

The Prestige is also very good. I’m not about to doubt the quality of this one based on any reviews.

<iframe width="1440" height="900" src="https://www.youtube.com/embed/AZGcmvrTX9M" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Put a clip from the composer in the appropriate Mandalorian thread

https://chiefsplanet.com/BB/showpost...&postcount=626

Just got my seat for 5 pm IMAX showing Aug. 31

This sounds like the most Nolan Nolanist Nolany film he's made yet. Can't wait to see it IMAX in Tempe opening weekend.

New trailer looks great. Probably going to avoid the theater though which sucks

Dig that music.

And yes, this looks like the biggest Nolan mind**** yet.

FWIW, the trailer music wasn't written by Ludwig, it's from a music library

They just lifted the beat from some download site? That's somehow disappointing.

Trailer Music is a huge, huge part of the film and TV business.

Prior to 2000, trailers generally consisted of music in a studio's library, which is why you'd hear music from Field of Dreams or some other previously released movie's score in trailers.

But that all changed in the new millennium as digital audio, with instant editing and samplers that could handle huge orchestral libraries that became available through faster computer CPU's, more RAM and larger hard drives. Now, it's all about the Brass Swells and huge percussive BOOMS! and so on.

Generally speaking, a big budget feature film's trailer will use multiple tracks from multiple Trailer Libraries to create the trailer, with the music chosen by the specific editor of the trailer.

It's a very "crowded" genre which is why I've avoided that aspect of composing but I did have the John Carter of Mars trailer on Starz! and Encore that ran for nearly a full year back in 2012.

Hmm. Trailer music didn’t make me want to see this, and despite the locations and visuals, it all seems to be rather formulaic at this point for a Nolan movie. Same soup warmed over.

Pass.

I’ve read a couple reviews that basically call this a mess and a snoozer, prolly gonna wait for a rental