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Old 03-11-2015, 04:07 PM  
Deberg_1990 Deberg_1990 is offline
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'Blurred Lines' verdict......good or bad for music?

Interesting......

Song was meant to be an 'homage' to a certain era and sound, but verdict was they ripped Marvin Gaye off. Will this force artists to change?

Thoughts?



A jury’s verdict that Pharrell Williams and Robin Thicke copied Marvin Gaye’s music to create their hit song “Blurred Lines” won’t just be felt by the singer’s pocketbooks — it has the potential to change how musicians work and could open the door to new copyright claims.

An eight-person jury determined Tuesday that Williams and Thicke copied elements of Gaye’s 1977 hit “Got to Give It Up” and ordered the pair to pay nearly $7.4 million to the late singer’s three children.

Gaye’s daughter, Nona Gaye, wept as the verdict was read and later told reporters, “Right now, I feel free. Free from … Pharrell Williams’ and Robin Thicke’s chains and what they tried to keep on us and the lies that were told.”
The music industry may feel new constraints in the coming years as artists — and lawyers — sort through the verdict and its implications.

Howard King, lead attorney for Thicke and Williams, told jurors in closing arguments that a verdict for the Gaye family would have a chilling effect on musicians’ trying to evoke an era or create an homage to the sound of earlier musicians. Williams contended during the trial that he was only trying to mimic the “feel” of Gaye’s late 1970s music, but insisted he did not use elements of his idol’s work.

“Today’s successful verdict, with the odds more than stacked against the Marvin Gaye estate, could redefine what copyright infringement means for recording artists,” said Glen Rothstein, an intellectual property attorney with the firm Greenberg Glusker.

“The Gaye verdict is precedential in that whereas prior to today, it was generally understood that paying homage to musical influences was an acceptable, and indeed commonplace way of conducting business and even showing respect for one’s musical idols, after today, doubt has been cast on where the line will be drawn for copyright infringement purposes,” Rothstein said.

The Gaye family will seek an injunction against “Blurred Lines,” which will give them leverage to negotiate for royalties and other concessions such as songwriting credits.
VIRAL VIDEO: TV Reporter Mugged On Camera

Music copyright trials are rare, but allegations that a song copies another artist’s work are common. Recently, singers Sam Smith and Tom Petty reached an agreement that conferred songwriting credit to Petty on Smith’s song, “Stay With Me.” The agreement was reached because Smith’s song resembled Petty’s hit “I Won’t Back Down.”

“Unfortunately, today’s jury verdict has blurred the lines between protectable elements of a musical composition and the unprotectable musical style or groove exemplified by Marvin Gaye,” said Larry Iser, an intellectual property lawyer who has represented numerous musicians, including Jackson Browne and David Byrne, in music copyright cases.

“Although Gaye was the Prince of Soul, he didn’t own a copyright to the genre, and Thicke and Williams’ homage to the feel of Marvin Gaye is not infringing.”
King, who also represents numerous musicians, said record labels are going to become more reluctant to release music that’s similar to other works.

“This is going to make them more conservative, and less likely that you’re going to have new music,” King said.

That assertion was mocked by Richard Busch, the lead attorney for the Gaye family.
“While Mr. Williams’ lawyer suggested in his closing argument that the world would come to an end, and music would cease to exist if they were found liable, I still see the sun shining. I still see the wind blowing, and I still see the clouds in the sky. The world has not come to an end,” Busch said after the verdict. “The music industry will go on.”
So too will Williams’ career, said Joe Levy, editor-at-large at Billboard.
“For Pharrell the story moves on,” Levy said. “It will move on quickly.”

Williams is a seven-time Grammy Award winner whose songs he’s either performed or produced have sold more than 100 million copies worldwide. His hit “Happy” has helped make him a household name, as has his work as a judge on NBC’s music competition show, “The Voice.”

Feminists have criticized Williams for producing “Blurred Lines,” which they say promotes rape culture.

“It’s much to Pharrell’s advantage that he is at a high point in his career,” Levy said.
Thicke’s career may have more issues as a result of Tuesday’s verdict, since “Blurred Lines” was a global hit and his follow-up effort failed to connect with audiences, Levy said.
Levy said that while the verdict will likely make musicians and record labels more cautious, it won’t stop artists from using others’ works as inspiration.

“Are people going to stop writing songs inspired in homage to what’s come before? I don’t think so,” he said.

Levy said the size of the judgment for the Gaye family was surprising, as well as the fact the case even went this far.

“I think the biggest surprise here is this case didn’t have to move to trial,” he said. “Many cases of this nature are brought and either dismissed or settle.”

Despite the verdict, Levy predicted that “Blurred Lines” will continue to make plenty of money for Williams, Thicke and in all likelihood the Gaye family.

“People aren’t going to stop playing it,” Levy said, adding that it will one day achieve a nostalgic status that other artists’ songs now have. “It’s not just going to disappear.”


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Old 03-11-2015, 04:43 PM   #31
BucEyedPea BucEyedPea is offline
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Originally Posted by DaneMcCloud View Post
I think the verdict is complete horseshit and had better overturned on appeal.

The "Letter of the Law" is Lyric and Melody. The two songs do not share the same melody or notes, nor do they share the same words or lyrics.

Pharrell and Thicke have said they wanted to capture the "vibe" of the song, which relates to the production (instrumentation, mic'ing, reverb, mix, overall sound) and I believe that was the catalyst for this ruling.

What the Gaye family has tried to say, and to the heart of this ruling, is that Marvin Gaye not only wrote songs, he's responsible for an entire GENRE of music.

This opens the door to all kinds of legal mess. Eddie Van Halen could sue about 50 80's bands because they used modified Marshall's, Strat guitars with humbucking pickups and a Floyd Rose. Black Sabbath could sue just about anyone that's ever picked up a Les Paul or SG and a Marshall and had a career.

It's completely and utterly asinine. I've discussed this with many of my friends that are VP and higher in the music business and everyone is stunned.
I am surprised too. It does share similarities but I don't think enough. I read part of the proceedings and played parts of the two songs which was on a You Tube video. I thought the Gaye family only owned the composition and not the single itself. I heard the sheet music doesn't look anything like Blurred Lines.

There is so much similarity in art, which doesn't make them all infringements. It's like saying no one can paint an impressionist painting.
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Old 03-11-2015, 04:45 PM   #32
BigMeatballDave BigMeatballDave is offline
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Originally Posted by DaneMcCloud View Post
Satriani and Cold Play never went to court. There was a "behind the scenes" settlement.

The main melody of an instrumental would be at issue in a copyright dispute. You could have a different chord progression underneath the melody but if the melody is the same, it would be copyright infringement.
Thanks for the clarification.
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Old 03-11-2015, 04:45 PM   #33
Canofbier Canofbier is offline
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Quote:
Originally Posted by DaneMcCloud View Post
Again, the Letter of the Law is Lyric and Melody, which aren't the same.

Prior to this ruling, you couldn't copyright a "vibe" or cowbell rhythm. You couldn't copyright a Blues I-IV-V progression because then, Blues music wouldn't exist.

This ruling, if upheld, sets forth a very dangerous precedent.
Absolutely. I'm a musician and hear similarities between songs that other people don't all the time (as many people that listen to lots of music would), and I don't see anything more than rhythmic and stylistic similarities between these two songs (which you'll see between at least a few top-50 songs at any given time).

Unless I'm missing something here, this ruling exposes a TON of other popular music to possible litigation, and it's ridiculous.
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Old 03-11-2015, 04:49 PM   #34
jspchief jspchief is offline
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The "tears" and comments from Gaye's daughter was rage inducing. Such phony bullshit. All a money grab.
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Old 03-11-2015, 04:50 PM   #35
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Old 03-11-2015, 04:53 PM   #36
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My untrained ear hears the similarities, but if this is the new line in the sand I bet there is some serious panic going on in Nashville.
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Old 03-11-2015, 05:01 PM   #37
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Pharrell and Thicke's lawyer is appealing. He'd better win.

http://www.usatoday.com/story/life/m...peal/70168510/
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Old 03-11-2015, 05:06 PM   #38
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One word: ****ing terrible
That's two words
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Old 03-11-2015, 05:07 PM   #39
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That's two words


It only took 37 responses
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Old 03-11-2015, 05:18 PM   #40
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Old 03-11-2015, 05:19 PM   #41
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My untrained ear hears the similarities, but if this is the new line in the sand I bet there is some serious panic going on in Nashville.
There's been other songs with similarities but no law suits. Tom Petty didn't sue the Red Hot Chili Peppers for their "Dani California" when it sounded like his "Mary Jane's Last Dance"? because he said so many songs sound alike.

“I seriously doubt that there is any negative intent there. And a lot of rock ‘n’ roll songs sound alike. Ask Chuck Berry. The Strokes took ‘American Girl’ [for their song 'Last Nite'], and I saw an interview with them where they actually admitted it. That made me laugh out loud. I was like, ‘OK, good for you’ … If someone took my song note for note and stole it maliciously, then maybe [I'd sue]. But I don’t believe in lawsuits much. I think there are enough frivolous law suits in this country without people fighting over pop songs.”
This is interesting to watch:

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Old 03-11-2015, 05:22 PM   #42
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There's been other songs with similarities but no law suits. Tom Petty didn't sue the Red Hot Chili Peppers for their "Dani California" when it sounded like his "Mary Jane's Last Dance"? because he said so many songs sound alike.

“I seriously doubt that there is any negative intent there. And a lot of rock ‘n’ roll songs sound alike. Ask Chuck Berry. The Strokes took ‘American Girl’ [for their song 'Last Nite'], and I saw an interview with them where they actually admitted it. That made me laugh out loud. I was like, ‘OK, good for you’ … If someone took my song note for note and stole it maliciously, then maybe [I'd sue]. But I don’t believe in lawsuits much. I think there are enough frivolous law suits in this country without people fighting over pop songs.”
This is interesting to watch:

Of course he got Sam Smith, but that was even more egregious.
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Old 03-11-2015, 05:26 PM   #43
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The song sucks, but the verdict sucks worse.
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Old 03-11-2015, 05:49 PM   #44
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Anyone heard the Tom Petty vs Sam Smith?

I can't hear any similarities.
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Old 03-11-2015, 05:54 PM   #45
BucEyedPea BucEyedPea is offline
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Of course he got Sam Smith, but that was even more egregious.
With Jeff Lynne. Smith says he never heard "I won't back down" — that it was a complete accident. He wasn't even born when it was released...not that someone couldn't have heard it later. Petty reached out to him personally and Smith claims there are no hard feelings.

BTW I never associated "Stay with Me as" being a copy of "Don't Back Down"—evah'. I had to listen to the two together with Petty's going faster to see any connection. And I have had that CD of Petty's since it came out.
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