Quote:
Originally Posted by frazod
I've now had a week to ponder No Country For Old Men and its ending. Sorry, but I'm still in the SUCKS ASS AND RUINED THE FILM camp.
The only problem I had with Fargo was the complete pointless, assinine subplot about the oriental guy's crush on the pregnant sheriff. What was the point of that? Seriously, what was the point? It had no bearing on anything in the rest of the story. At all. It would be like a subplot in the The Godfather where Michael banters with his dentist. There would be no point to it. But this was only a small flaw in an otherwise excellent movie, so I let it go. The Coens go off on their tangents. I can accept that.
UNLESS THE TANGENT THEY GO OFF ON RUINS THE PREVIOUS HOUR AND A HALF OF EXCELLENT MOVIE.
Sucked then, sucks now. I wish I'd never watched it. I really wish I'd never bought it.
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Awesome save.
Ready to rent this on talk alone. Hated Fargo. Dog$#it. I'd dig up a dead mole, find what it ate 3 days ago and swallow it with glee before suffering that garbage of a flick again.
Now I know I don't have to watch it and I can dedicate my life to more important cinema. Like the short Max Headroom series.
"I keep watching it because I think there's some deeper meaning I don't get about commercialism but the-.....you wha-......just take it out honey. Yeah, you're rig-....I know. No, I won't do....Yeah. No, Maximum Overdrive isn't released on DVD yet. No. NO! I'm....bye, I'm off to the bar."