Thread: Movies and TV "The Wire" fans
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Old 07-11-2009, 01:11 PM   #84
irishjayhawk irishjayhawk is offline
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Quote:
Originally Posted by Reaper16 View Post
1.) It would be very difficult to set up a Hamsterdam area for a number of weeks and not have anyone catch on, in "real life" that is. Just about as hard as it would be to fake some murders. As for Omar... stick up men don't do the superhuman shit that he does, nor do they live for nearly as long as Omar did. Not the ones that target the wolves at night like Omar did, anyway.
Okay, I'll grant you that aspect of it being unrealistic.

FYI, the 4 story jump was actually 2 stories less than the event it was based on. True event, btw.


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2.) Odd that you say the media plot of season 5 was emotionally unattached, as it was the most personal of plots for David Simon. I understand the criticism that the editors were not portrayed as fully as other characters, but they aren't the first ones. Characters like Andy Krawchek or Commish Valcheck are similarly one-note. It doesn't serve the story to reveal more about them, and I would argue that we don't need to know. We can easily extrapolate what the motivations of the editors might be; what "their side" would be.
Well, I don't think I'd compare with Valcheck. While he provided the catalyst for Season 2, he wasn't integral to it. The editors were in this season. I completely understand their side and the symbolism when they get their Pulitzer. I just felt the whole arc was underdeveloped. Bubble's Reporter was an awesome line but felt disconnected from the whole newspaper line. And that's a shame. I never really got Gus' real motivations for wanting him to go do this. Other than the obvious, that's what journalism is when compared with Scott.

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3.) It didn't serve the story to continue following the dock workers. Nothing changed about their situation. All the necessary follow-up was found in the season 5 cameos: Nick Sobatka complaining about the same ol, same ol with riverfront development & about the robots taking away even more jobs, and also Johnny Fifty's cameo as one of the homeless under the bridge that McNulty saw. Having Vondas and The Greek pop up a few times was conducive to the story because they were the connect. But it would have done nothing to further the messages of the show to continue following the dock workers just to follow them. Simon & Burns said what they wanted to say.
Well, yes, but that's why I consider it to bee the black sheep when looking at the whole series. It's the only season that's virtually entirely self-contained. Granted, they all are to some extent, but it's the only one that really doesn't have much throughout the rest.

I loved Nick Sobatka's cameo. I also loved the Law and Order guy at the bar. Another small tidbit I liked (Can't remember what season it was in) was Rolles at the gay bar. And that's an example of something that didn't need more explanation. Something better left unsaid or unexpanded upon.
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