![]() |
Quote:
And I'm not sure why you're surprised at that number. A hit show that makes it to syndication will earn billions. |
Quote:
Yeah, shit doesn't work without the pilot. It may sound like a winner on paper but doesn't translate on TV. The only change I can see is instead of showing the pilot as the first episode, they could possibly do like a season 1 overview and act out some scenes and get more of a story going, and then just start with the first episode. |
Quote:
I going to watch this show because I know I am going to like it. I have no doubt that Fox is going to abandon it just like they do everything else too. |
Quote:
|
Quote:
|
Quote:
Duck Dynasty debuted with almost 12 million viewers this week. On the hand, Game of Thrones biggest audience was 5.3 million. It's not going away, and I certainly HOPE it doesn't go away or I'm ****ed. :( Quote:
|
Quote:
|
Quote:
|
Quote:
Sleepy Hollow, on Fox, had 10 million viewers last night. Duck Dynasty, on A&E, had nearly 12 million. |
Quote:
|
Quote:
|
Quote:
|
Quote:
|
Quote:
I now see your point. |
Quote:
I don't generally find out until nine months after airdate, so it's pure coincidence for the most part. |
Game of Thrones viewership is a deceptive thing. Initial airing primetime finale numbers did cap at 5.4 million, but including all airings of each episode for the season, they're up to over 14.2 million viewers per (I'm not sure this includes DVR numbers or not, probably does). They're probably going to pass Sopranos viewership numbers next season. Show's turned into a real juggernaut as far as premium cable goes. It's also an incredibly expensive show.
In any case, Nielson ratings are still ****ed to all hell, but they're adjusting at least. So many of us now are streaming and dvr'ing. Which is great for us, but terrible for the networks because their advertisers all know what it means (we're not watching their ads). |
Quote:
|
Quote:
Quote:
|
Quote:
|
Quote:
|
Quote:
|
Quote:
Quote:
|
Quote:
It will drop. The question is how much. I'm interested in seeing how many viewers Agents of SHIELD gets next week. They're trying to turn it into event TV, curious how that turns out. |
Quote:
Juliana Margulies was offered $13 million per to stay on that dopey ER and turned it down. |
Quote:
I'm taking 'huh' as a tacit admission that you were wrong about the GoT budget numbers. :) |
Quote:
|
Quote:
I'm actually enjoying Hulk and the Agents of SMASH, although it's about as dumb as the title would indicate. LMAO Have you seen Beware the Batman on Cartoon Network? I've been really surprised at how good that one's been, after seeing how bad the new Teen Titans cartoon turned out. I'm not a big fan of the animation style, but the storytelling has been good so far. |
Quote:
|
Quote:
|
Quote:
I'm pretty sure 10 minutes of him talking could convince me to **** my dog for Jesus because global warming is killing the sand snakes in the Sahara... |
Quote:
|
Quote:
|
Quote:
Once you and everyone else in America pays $7.99 per month to watch Fox, CBS, ABC and NBC, things will change. Until then, no. |
The big 4 aren't what they used to be. The landscape has changed dramatically just in my/our lifetime, with the advent and explosion of cable and satellite and streaming, and I think it's a safe bet that it's going to continue to change over the next 40 years. Now, into what, I wouldn't venture a guess.
It just struck me that I actually remember a time when we had a television with rabbit ears that got (I think) ABC, NBC and PBS (I don't remember fox). I remember getting cable for the first time, and a VHS player (never had beta, eventually got DVD). And now I'm sitting 10 feet away from a flat screen TV with access to hundreds of channels, many of them in HD, along with a bluray player. And at a computer with access to youtube and hulu and hbo go. Near a Kindle with the same. And I wonder why I get nothing done. |
Quote:
It's really easy to sit back and say "Netflix has a great model!" when Netflix is charging $7.99 a month for their service. They have money to spare and if House of Cards was a failure, they'd still be profitable. Fox, CBS and NBC shell out a billion dollars a year for the NFL alone and barely break even. Those networks just can't put any old show on the air and expect to earn revenues. Again, it's driven by advertisers, not by people willing to pay for their service. |
Quote:
You may not have seen my addition to my last post. Go back and look if you didn't. You'll probably mirror my recollection. And that's how the landscape has changed, in a nutshell: we're overwhelmed with entertainment options and choices that I don't think we could have even imagined 35 years ago. |
Quote:
|
Quote:
He'd make a damn good politician, wouldn't he? |
Networks are showing they're willing to adjust, albeit slowly. You're already seeing an variety of program formats. A decade ago, who would have imagined 12-13 episode shows on major networks. NBC had Hannibal last year (and next year). Now CBS has, err, what's it called, Hostages, which is I think running 15 weeks? They're basically adapting the kinds of shows that have been and are succeeding on premium channels (something that as I recall people said would never happen a few years back), and audiences are responding to at least some of them. You're even seeing corroborations between NBC and foreign networks (Crossing Lines this summer). And serial dramas now seem almost the norm, where they barely existed a decade ago.
I realize this seems like a tangent but my point is that I think they're getting creative because they know they have to in order to stay competitive. In the same light, some programs in recent years have tried varying their advertising format (with varied degrees of success). I think the major networks realize they have to adjust if they want to keep being the major networks. There's just too much out there to draw viewers away from them. |
Quote:
Also, keep in mind that many of these other channels and options you speak of are owned by NBC/Universal, ABC/Disney, Fox and CBS/Paramount. HBO, TNT, TBS, FX, FXX, Showtime, Cinemax, blah, blah, blah. These aren't independent entities. I think that the studios and programmers do a pretty damn good job of knowing what will work on Network vs. Cable. |
Quote:
Furthermore, would Fox have been wise to put Justified or Sons of Anarchy on Fox? The answer is a staunch "No". Those show wouldn't last a season (if that long) but on Fx, they not only have advertisers but monthly fees that help diffuse the cost of the show, which means that they don't need as much income from advertisers to survive. |
Quote:
(Well, actually I do have amazon prime, but I don't use it.) As far as basic cable goes, I believe the last number I heard was that more than 90% of the country pays for it now, according to Nielsen. Quote:
|
Is Justified worth watching/catching up on?
|
Quote:
I would say that you can see the influence of those shows there, however. Anyway, I need to get some sleep. I'm still up from Tuesday. |
Quote:
|
Quote:
What's the show about? |
Quote:
|
Quote:
|
Quote:
I think you'd love it. |
Quote:
The main reason shows that are offered on those cable channels and not on "Free" network TV is that they only appeal to a certain demo and would not be profitable on Network. A program like Dexter lasts eight seasons on Showtime but wouldn't last a season on network. That list isn't endless but it's quite long. |
Okay, you've all sold me. I'll check out Justified.
|
Quote:
|
Quote:
|
Quote:
But the DVR is set when it's in repeats. |
I thought season 4 continued the general uptick in quality that seasons 2 and 3 had.
|
Quote:
|
Quote:
|
Quote:
|
Though the late Elmore Leonard professed to be in awe of what FX turned his story into, it really owes it's greatness to his style and the archetypes he creates.
The draw of Justified is in the small and large moments. Shit goes down but there's always time for hilarious or dryly droll banter. Storylines are creative but remain utterly credible, as do the characters. It's always keeping you on your toes by mixing action and suspense and humor and absurdity and wit and terror and asskicking and more, small turn by small turn. While I wouldn't say the first season is the weakest, it is decidedly different in form from what it has become. It started trying to tell more case of the week procedurals, so the strength of each episode depended on the strength of that week's plot. Since then it has mixed in a good deal more season-long arcs, in the vein of The Wire, so you're gripped from episode to episode with the big showdowns surely to come along, and how the sides are picked and pitted. |
Quote:
|
Quote:
But as everyone has said, YES. |
Quote:
|
I finally got to watch this last night. It was interesting enough that I was willing to turn my brain off and just enjoy it. I like the supernatural aspect of it, though I'm a sucker for that kind of stuff
|
Quote:
|
Quote:
|
Quote:
|
Quote:
|
Quote:
Kind of like knowing that Michael joins the family business doesn't exactly 'spoil' The Godfather. |
Quote:
Spoiler!
|
Quote:
Spoiler!
|
This makes things more interesting: http://www.hollywoodreporter.com/liv...e-joins-633343
Quote:
|
Quote:
|
Quote:
I'm sorry but they're already losing me. |
Quote:
|
Quote:
|
Quote:
|
Quote:
|
I had forgotten some of the greatness of season 4. (Do not watch this Dane and frazod. Seriously.)
Spoiler!
LMAO January can't get here soon enough. Oh, by the way....Walton Goggins has a role on Community this season, for at least one episode, which sounds awesome. Quote:
|
LMAO
So, Ichabod is going to wear clothes from the 1770's throughout the program? And why the heavy handed music? And zombie witches? LMAO |
Quote:
|
All times are GMT -6. The time now is 10:13 PM. |
Powered by vBulletin® Version 3.8.8
Copyright ©2000 - 2024, vBulletin Solutions, Inc.